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But baby baby she too busy. She hold her hand up to the sky. Eat that cherry pie, vaak eat groningen that cherry pie, eat that cherry pie, eat that cherry pie, i can't get enough, i can't get enough. Gave my heart to carmelita, she's so groovy when i eata. She be the apple of mine eye.
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I can't get patch enough, i can't get enough. Can't get enough of that long hair music. See me waltzin' with Matilda, she show me how to make a guilder. Tom Tom givin' me the evil eye. Can't get enough of that cherry pie. Wrap your brains around the sky. Keep on eating that cherry pie. Can't get enough of Lonely lizzie.
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Now, he was coming through town and had a lengthy layover, and called to see if I wanted to get together for the day. I picked Hal up at the airport and brought him back to the office so i could tie up a few loose ends before leaving for the day. He was sporting shades and some type of gig jacket, and got more than a few glances from people around the office. Cutting to the chase, i told them he was Elvis drummer. Hal had played on the Elvis hit Cant Help Falling In love with you and on Elvis film soundtracks in the 60s. His best-known affiliation, though, was with Phil Spector and those lavish Wall of sound productions that he and the so-called Wrecking Crew had churned out. By hals own estimation, he played on over 35,000 sessions over the years. Colleagues I hadnt seen for months were popping by to check out Elvis drummer, much to hals amusement. We left after a couple of hours and went to my home in Bixby, where he entertained my family with story after story of his illustrious career.
One of my occasional duties was driving skelly management to and from the airport. One Friday afternoon, i was sent to the airport to pick up our general counsel, who was returning from the getty oil offices in Los Angeles. As I stood outside the gate for the plane to disembark, down the jetway came our counsel talking with Ricky nelson, Americas first teen idol, in town to perform at the copa hilton Club. Our man must have seen the puzzled look on my face, for he immediately explained how hed been seated next to nelson in first class. He introduced me briefly before a crowd closed in around. I knew Russell had worked for Nelson during his session days in la, and rumor was that Nelson had him on retainer for special gigs and performances. So, while we were slijm waiting in the baggage claim area, i told Nelson about my project and had heard he had used leon and was curious if this was true.
He looked at me with those blue, blue eyes and said, leon is my favorite piano player of all time. You know he sang backup on many of my records. And then he got into a limo. Elvis Drummer, a few years after that, i was in my office in downtown Tulsa—getty oil had become texaco by this time—when I got a call out of the blue from the most prolific drummer in rock n roll history. Hal Blaine and I had been corresponding for several years about leons studio work.
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For years, i would go into a used record store with lists of songs and a label and try to match this up to a record that was released 20 or 30 years earlier. I made some remarkable finds over the years doing this, and would fill a hole or two in my session listings every time i was able. The Internet and the remastering of older recordings on cd have facilitated this task and, finally, kies im ready to publish the fruits of my labors. Longhair Music: The songs and Sessions of leon Russell. Teenage Idol, one of the windfalls of my research has been meeting many of the singers, musicians, producers, family, friends, and characters from Russells storied career. Many have been by happenstance, including one from 1976 at the tulsa International Airport. I was working for skelly oil, in their Automotive division, and was responsible for purchasing all of the passenger cars and light trucks for the field operations in the states.
Releases 2015 - longhairmusic
He plays piano and sings real cool! Soon after my discovery, i began to collect any memorabilia that I could find on Russell (who was beginning to gain recognition nationally as a solo artist and commenced what has been an ongoing labor of love to research and document all of his session. Beginning with what limited hoofdpijn credits I could find on labels, album covers, and sparse liner notes, i eventually and logically ended up at the American Federation of Musicians Union Local 47 office in Hollywood, home to all of the detailed session contracts from decades. The afm only allowed employee access to the files, but I was able to hire two of the staff to research their voluminous archives, after-hours, for any of Russells sessions during the sixties, when he all but lived in the recording studio. Their year-long efforts yielded hundreds of sessions from, and revealed a virtual Whos Who of the recording industry. During my 40-plus years of digging I have also attempted, sometimes in vain, to find the actual record album or 45 single that sprouted from the session, to have an image available should i ever decide to publish my findings. My paying work—ive had various oil company gigs over the years—afforded me the opportunity to travel the country, especially to the west coast, where i was able to prowl a variety of old record shops when they were still plentiful. The session logs from the local 47 contained a wealth of information—session date, studio, recording company, song title, and session leader—but lacked one key element: the artists name. I found that many times in a recording session basic tracks were recorded with no mention of an artist.
My interest vegetable in former Tulsan and rock n roll legend leon Russell began in the mid-Sixties, when, as a pre-teen growing up in a small town just outside of Tulsa, i would hear stories about a talented musician from Tulsa who played on records for. I heard these stories from the butcher at Jesses Grocery in downtown Bixby. The butcher with the soulful voice was Bill davis, who moonlighted various Tulsa clubs and interacted with the best musicians in town. Listen to matt omeilia discuss being leon Russells paperboy. Davis would sing while he worked and also regale me with stories about this mysterious musician, who helped crank out the hits from the. Recording studios, and who also reportedly appeared as a band member on one of the hot new rock n roll shows on tv, abcs. I didnt know the name of this mystery man until 1970, when, in the middle of my high school drafting class, a classmate handed me an album with an outrageous looking individual with long, grayish hair and a beard to match staring out from the. His name is leon Russell, the classmate told.
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One of the benefits—or curses, depending on your viewpoint—of archiving is that, over the years, you accumulate a lot of collectibles. I possess untold boxes and file cabinets of memorabilia and research material, and thousands of vinyl 45s, lps, and CDs. Ive always light tried to be on the cutting edge of technology, and several years ago i made the decision to digitize everything. I called this my dust-to-digital project. I originally decided to accomplish all of this under a non-profit corporation called the tulsa Area music Archives (tama for short but I didnt find the economic environment suitable for such an endeavor. I ultimately formed an llc called the Steve todoroff archives, and work on my russell session book project when I can. Ive also released a podcast series of leons career on itunes and my own website, preservemusic. I continue to add to the archives photo collection at every opportunity. Authors spend a ridiculous amount of time researching and writing books, and i am certainly no exception.